Émigré Female Performers and the Aesthetics of Corporeal Modernity on Early Twentieth-Century Iranian Stage
Émigré Female Performers and the Aesthetics of Corporeal Modernity on Early Twentieth-Century Iranian Stage
Ida Meftahi currently holds a Visiting Assistant Professorship in contemporary Iranian culture and society at the Roshan Institute for Persian Studies, University of Maryland. She completed her doctoral studies at the University of Toronto’s Department of Near and Middle Eastern Civilizations and was a postdoctoral fellow at the Institute for the Arts and Humanities at Pennsylvania State University. Her first book, Gender and Dance in Modern Iran: Biopolitics on Stage is scheduled for release in Spring 2016 (Routledge Iranian Studies Series). Offering a novel approach to corporeality in twentieth-century Iran, Dr. Meftahi’s historical research intersects with studies of gender, urbanism, perfor-mance, cinema, and political economy of public entertainment. In addition to teaching interdisciplinary courses on Modern Iran, she is the director of the Lalehzar Digital Project, a component of the Roshan Initiative for Digital Humanities, as well as faculty advisor for Roshangar: Roshan Undergraduate Journal for Persian Studies.